Mel as Hyperobject
Through the words of Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World (2013), the adapted practice of distant reading, the lens of current neuroscience, and the flavor of non-philosophy, artist Mel Keiser transmutes a text about object oriented ontology and ecological philosophy into a piece that describes what it is to be an identity becoming.
Published in Performance Philosophy Journal Vol. 4, No. 1 (2018).